Encasing the latter are light-absorbing cells that facilitate communication, energy distribution and … Fumihiko Maki’s Investigations in Collective Form served as a loose guide in the design of an addition to the National Public Housing Museum in Chicago. First published by the School of Architecture in 1964. The Japanese Pritzker Prize winning architect Fumihiko Maki is credited with coining the term ‘megastructure’. Japanese modernist Fumihiko Maki has been chosen to design a cultural and university complex on a 67-acre Kings Cross development in London. Fumihiko Maki calls himself a modernist, unequivocally. Maki’s Golgi Structures designed in 1968 by Fumihiko Maki was named after Nobel Prize-winner Camillo Golgi, who developed techniques for visualising nerve cell bodies.The structure proposed by Maki alternate dense urban areas with unstructured open spaces. Maki, Fumihiko, "Investigations in Collective Form", A Special Publication Number 2, The School of Architecture, Washington University : St. Louis : June 1964; 10 Stories of Collective Housing, by a+t research group. Here, Jennifer Taylor describes how he has refined it, and defined a specific way of handling urban megacompositions that he calls ‘group form’, over the course of a career spanning more than four decades. Similar ideas were further developed by Fumihiko Maki and Masato Otaka in “Some Thoughts on Collective Form with an Introduction to Group Form” (unpublished manuscript, Washington University Art & Architecture Library, St. Louis, February 1961; I thank Heather Woofter for calling my attention to this document). After the World Design Conference Maki began to distance himself from Metabolist movement, although his studies in Group Form continued to be of interest to the Metabolists. At just thirty, Fumihiko Maki designed two auditoria: Steinberg Hall at Washington University, St Louis, and Toyoda Memorial Hall at the University of Nagoya in Nagoya.It was a propitious start to a career spanning sixty years, during which Maki witnessed the rejection of modernism, the predictable failure of postmodernism and the ongoing globalization of … Chapter 08. Along with a great many other Japanese architects, he … Author Fumihiko Maki. Fumihiko Maki and Collective Form: Three Paradigms The chaos and fascination of Tokyo come together in Hillside Terrace based on that slow collective process of creating form which has left outstanding historical examples in its wake due to its une… Fumihiko Maki - Investigations in Collective Form Collective form represents groups of buildings and quasi-buildings- the segment of our cities. In 1964 he published a booklet entitled Investigations in Collective Form in which he investigated three urban forms: Compositional-form, Megastructure and Group Form. His buildings tend to be direct, at times understated, and made of metal, concrete and glass, the classic materials of the modernist age, but the canonical palette has also been extended to include such materials as mosaic tile, anodized aluminum and stainless steel. Hillside Terrace. December 12, 2013. Tokio, 1967-1998 Collective form is, however, not a collection of unrelated, separate buildings, but of buildings that have reasons to be together. About the project: Originally the site consisted of four letterform housing types: “U,” “L,” “I,” and “E”-shaped buildings. Fumihiko Maki. More info: http://library.wustl.edu/units/spec/archives/photos/ Fumihiko Maki and his view of the city. As … Fumihiko Maki, 'Notes on Collective Form', Japan Architect, winter 1994, pp 247–97. Page from the book 10 Stories of Collective Housing "This diagram, ... the Group Form pertains to, for instance, the stepped villages of the Greek islands or the Dogon villages where time is the key player.